|
Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
|
|
|
|
|
[QUOTE]I do not know that HP use to tell in 80s[/QUOTE]I know you don't, that's why I seriously suggest you check it out.The logic "musical intention of composer/conductor"-->minute analysis of 3D representation of orchestra performance in view of...
|
There has been a low-ish buzz in the hi-fi rags for a while now, to the effect that perhaps we should reconsider "neutrality" and return to the musical-instrument-type speakers of yore. Of course any sea change is good for the Hi-Fi Industry, just a...
|
Romy, I recognize and appreciate the very specific points you make but I am instead referring only to your last observation about "the harmonic deficiency of playback in the melody range", and I was just trying to shoehorn this idea in...
|
[quote user="Romy the Cat"]I woke up and thinking about the horn problem with fresh head I am thinking what did wrong. I did not measure the frequency response of the horn – I did not see a need for it – the sound of the thing is way beyond where it ...
|
Jessie, the "Horn Free Lunch" derives exactly and specifically from "efficiency" registered at frequencies much higher than those ultimately required from the driver in the horn speaker. The horn is there only to provide "gain" at lower frequencies...
|
For several years I wrote a ongoing monthly editorial about poetry (The Art of Poetry). No nutshell version is available, but Romy''s post reminds me that much of it dealt with just the active aspect of Dialog that is discussed h...
|
We don't know enough about the person X to assess the situation. I might say something similar if I went to a local semiprofessional orchestra, paid a few bucks and heard them play better than I expected. If I had paid $100 and spent an hour each way...
|
[quote user="guy sergeant"]any chance of a similar climb down on the 'adequate but not exceptional' 834P?[/quote]Not really. The 834PT still holds ground and the more I hear different phonostages the more firmly it does. I can’t tell you if it is due...
|
Coops, do you have any personal observations or ideas about the ultimate TT, or are you already invested and just checking my credentials? I would like to know your thoughts, too, based on your own personal listening habits, preferences an...
|
Well, as usual, we can read all over what one likes or dislikes....each his own of course. But, we can not read why someone did like or did not like something.Same for me of course, but it would be helpful to offer a kind of "priority" (or whatever o...
|
I would think that one would opt at least for a cartridge able to distinguish between different violins (well) recorded in different spaces. Although aural memory itself remains suspect, still one does want to entertain an illusi...
|
Stringreen, what an interesting series of posts. I generally enjoy musicians' takes on hi-fi, especially as these relate to sound (versus music). In all performances there are so many things to listen for and to. What I have mo...
|
It is probably fodder for another thread, but I have also pondered the volume versus detail issue. I have in the past owned systems, and I have heard many systems, that rendered a lot of nuance and detail at low-ish volume settings.&n...
|
[quote user="Paul S"]But I do appreciate your applied thoughts on the evils of feedback loops.[/quote]I don't think that feedback loops are evil. They solve some problems and create others. Your human body employs a virtually infinite number of suc...
|
... to pass data unchanged.I've been ripping my CDs (using EAC and a Plextor CD-ROM drive) for about 4 years now. I use Foobar with ASIO (and now with WASAPI also) as the software player, loaded onto a Sony laptop. The soundcard is an RME FF800.Now t...
|
It seems to me that in terms of notes and sequences, the themes, broadly speaking, +/- "follow", but the spirit, tempi and mood (at least of the Solti performance), and even the extended chord structures seem somehow disconnected from what has transp...
|
I was gifted a mono LP version of this performance, which I have listened to closely but once, with fair electricity. This time I was more impressed with the orchestra/orchestration than the piano playing, which I found to be a bit much, overall, an...
|
Item, I agree that a digital transport only processes data (actually not processes but read would be more accurate definition but I do understand that reading implies a lot of processing) and delivers it to a converter but in real world in order ...
|
London ffrr, CSA2216,; stereo LPI have always found the first movement of this symphony to be the most musically satisfying part of it, and nothing in the cited performance has changed this old bias. I have to give Solti credit here, however, fo...
|
[quote user="Romy the Cat"]
If you visited this site before 2004, when I conversed it to audio site then you remember that it was performances-centric site. It was structured by composers, and each (let say some) composition had a list of reported...
|
Sudwestfunkorchester, Baden-Baden/Jascha Horenstein; Vox, STPL 510-700 (stereo; recorded in Germany)I think that Beethoven's 3rd Symphony is another case of great music that is so universally appreciated that it becomes ubiquitous, and then we begin ...
|
I am sorry to say that I have sat through very few symphonic or opera performances in San Diego, even when the price of the seats made me feel bad about leaving, too.I did hear what seemed at the time to be a wonderfully-inspired ...
|
I will certainly look for the Heifetz you mention, Romy. I gave away the later "vanity" issue!Digging through my still largely un-racked LPs I did find another Bach "Double Violin" with Perlman and Stern "under" Mehta, with the New York Philhar...
|
A few weeks ago Amphissa sent me a collection of recordings of Myaskovsky. I knew Myaskovsky, head his Sixth Symphon, “something else” and his cello concerto but to have a pile of selected CDs by a great aficionado of the Myaskovsky's music really he...
|
You do make me laugh sometimes! You really do seem to have problems in seeing the merits in anything if it doesn't fully satisfy the very particular performance criteria you set. As a species such inflexibility wouldn't allow you to evolve very much ...
|
Rony, I do not read the Grammaphone. I buy it once in two years, for fun, to confirm that I still should not read it… :-) Yes, switching the conversation to Bohm’s “Cosi Fan Tutte” available on CD….there are number of versions. First of all Bohm rec...
|
While I am in UK, have UK’s IP as am trying to use your instruction to get the Bruckner 8 from Proms. We are somewhere at the Scotland border, it is 4AM in the morning and for the last 2 hours I was trying to follow your instructions but all my effor...
|
Hi Cat[quote user="Romy the Cat"] However, here is where the trick begins. Putting the headphones on, playing them along with the big loudspeakers system and adjusting the volume of the “big system” (primary the LF channel) it is possible to take the...
|
[quote user="Paul S"]"High-efficiency electrostatic speakers"??? Is this not an oxymoron? My friend, Mark, who sometimes visits and posts in this form, has gigantic Sound Lab 'stats. He hates SS, and he uses VTL Wotan tube amps to drive them, 1.200W ...
|
I did not see in your post any “sad truth about BMS”I would stick in the JBL 2440. It is relatively inexpensive. Has practically the same performance as the hipped JBL 375 and all together a good performer. It’s diaphragms are wildly available and it...
|
|
|
|
All context of this site except the Forum's posts
Copyright © Roman Bessnow 2004-2024
All messages within the Site’s Forum Copyright © by
authors of the posts
|
Last 24-hours posts: |
0 |
|
|
|
Total human visitors: |
43,005,708 |
|
|
|
|
|
|